51
«Discourse in the Novel», The Dialogic Imagination: Four Essays, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, 1981), p. 324. (N. from the A.)
52
Dialogic Imagination, p. 165. (N. from the A.)
53
Rabelais and His World, p. 23. (N. from the A.)
54
See Manuel Durán, «El Quijote a través del prisma de Mikhail Bakhtine: carnaval, disfraces, escatología y locura», Cervantes and the Renaissance, ed. Michael D. McGaha (Easton, PA: Juan de la Cuesta, 1980), pp. 71-86; and Donald Fanger, «Dostoevsky and Cervantes in the Theory of Bakhtin: The Theory of Bakhtin in Cervantes and Dostoevsky», Harvard Library Bulletin (forthcoming). (N. from the A.)
55
See Walter L. Reed, An Exemplary History of the Novel: The Quixotic versus the Picaresque (Chicago: University of Chicago Press, 1981) and Alban K. Forcione, Cervantes and the Mystery of Lawlessness: A Study of «El casamiento engañoso y El coloquio de los perros» (Princeton: Princeton University Press, 1984). (N. from the A.)
56
See The Formal Method in Literary Scholarship, trans. Albert J. Wehrle (Baltimore: Johns Hopkins University Press, 1978), esp. pp. 136-41. (N. from the A.)
57
Mikhail Bakhtin (Cambridge, MA: Belknap/Harvard University Press, 1984), pp. 273-74. (N. from the A.)
58
«The Tolstoy Connection in Bakhtin», PMLA 100 (1985), 68-80. (N. from the A.)
59
The Order of Things (New York: Pantheon Books, 1971), p. 46. (N. from the A.)
60
Meditations on «Quixote», trans. Evelyn Rugg and Diego Marín (New York: Norton, 1961), p. 162. (N. from the A.)